Emploi Tourisme - Les offres d'emploi de l'industrie du tourisme - Loisirs - Affaires - MICE - L'Echo Touristique - Deplacementspros.com - Tom.Travel ", "This amp was an accident. Pristine condition. If you look at the schematics on the web the Maz-38 is shared cathode. If you like the SLO-100 model you might want to try the Recto models too. Decrease its Gain until the desired scoop is achieved. Hamstead Soundworks Artist 60+RT 60W 1x12 Combo, Black. An AA769 Dual Showman Reverb on the Vibrato channel will have similar gain as it has three gain stages. FRIEDMAN ACTIVE 12 TWO-WAY … They all still benefit from the Quantum stuff though as they use the same underlying algorithms for the tube modeling. Some had 47K off the 8-ohm tap. Cab Pack 17 has many choices (full disclosure, I produced 5 of the 6 Cabs in that Cab Pack). Handwired in the USA. Otherwise it's too flubby. Then there's shared vs. split cathode. Ekosport, n°1 du sport Outdoor sur Internet www.ekosport.fr Tout le matériel de ski de rando au meilleur Prix sur Ekosport - 3X sans Frais - Liv. ", (about getting the Boston/Rockman sound) "Plexi Jump. ", "My Dumble is S/N 0213 IIRC. It's worse on lower notes because lower notes have more energy and charge the cap more. Pull Bright: Rhythm 1 and Lead channel. The key to JCM800's is to crank the MV to overcome the brightness of the preamp. IOW, it's displaying 60 pF which is equivalent to 120 pF. Another thing is that if you put ANYTHING in the loop of a Recto it changes the tone significantly. ", (about the GEQ) "The range of the sliders is the same as the amp. Early customer interaction with guys like yourself made me want to make sure people knew it was not a tonal clone of a Dumble to avoid returns/misunderstandings. ", " It's one of those amps that will probably increase in value. ", Lead channel, Contour Off (boosts lower midrange around 500 Hz), Lead channel, Contour On (boosts from 1200 Hz and cuts lower midrange), "From noon and up it's a presence boost, from noon down it's a presence cut. Since there are only two tubes pre would indicate before the buffer which is not what we want. All of this hopefully explains why I have always shied away from the Dumble comparison thing, I was truly and honestly never trying to clone a Dumble. ", "The 1987x doesn't have the 0.68uF cap on the last triode. Original model in as new condition, brought brand new by myself from Peach Guitars in 2015. Increase the Damping parameter to increase the negative feedback. With my Suhr it's much too bright because that's a very bright guitar. ", "The old one (Plexi 100w model) has a 2.7K cathode resistor on the first stage, the new one (1959SLP) has an 820 ohm. ", "A 6505+ is identical to a 5150 except it has no bright cap. It's just so damn loud that you get the sensation that it's clean because a light touch on the strings creates a lot of volume. An original black faceplate version. gematchte Paare sind von gleichem Hersteller und gleicher Konstruktion Hinweis: sehr begrenzte Verfügbarkeit. ", "When modding Marshalls for higher gain sometimes the modder will decrease the input frequency response to reduce noise and fizziness. I have three of them and they all sound completely different. Le taux de mortalité est de 2,20%, le taux de guérison est de 55,98% et le taux de personnes encore malade est de 41,82% Crossover distortion is a unique sound. ", "Yup, that's the key. They are nasty, aggressive things that you have to crank the MV. The low E string is 82 Hz so it's right in that zone. Dazu zählen Röhrenfassungen und Sockel. Ideally it should be reverse log. ", "The only difference (between the two Express models) is the Bright Cap. It uses the Vintage tonestack which is flat when the tone controls are at noon. Egal ob Pentode, Doppeltriode, Gleichrichterröhre (Rectifier), oder Black Plate-Varianten, bei Tube Amp Doctor wird Ihnen eine große Auswahl an Markenröhren für Ihren Bass- oder Gitarrenamp geboten. Friedman Dirty Shirley 40w Tube Guitar Head Black – Find Lowest Price – List All Stores – Visit Musicians Friend Dave Friedmans Dirty Shirley 40-Watt Head was designed for guitarists who want a Vintage Classic Rock tone inspired by British tube amps from the ’60s and ’70s. It's biased too cold. I don't like it in the middle. We would like to show you a description here but the site won’t allow us. I believe the SLO100 was one of the first amps to do this. ", "If you want that Recto crunch but not so flubby and fizzy try the SOLO models. Now, if you like, put a Zen drive in front on the BludoClean amp....or a boost...and listen to how that clean channel wakes up fast for grittier leads and touch-responsiveness. The clipping is extremely asymmetric. I forget the actual values but I'm pretty certain if you look at the Cathode Resistance value for those amps it's pretty high. Set the Level to +3 dB. ", boosted for more gain and high-frequency emphasis, "The secret of the Chieftain is the split cathode bias. Hinweis: für Gitarrenverstärker bringt... General Electrics (USA) 12BH7A Doppeltriode, NOS. ", "I used a Triaxis for, shoot, I dunno, over a decade before designing the Axe-Fx. ", "Some amps have a fixed depth circuit, e.g. However, 2500 amps later its not really seen that way any more as the CA's have always had their own thing going on tonally that is very much more in a modified Marshall vein. Rachel LevineRachel L. Levine is an American pediatrician who has served as the Pennsylvania Secretary of Health since 2017. ", "A Dual Showman with the AB763 circuit has one less gain stage than a Twin Reverb so it will have less gain. He loaned it to me because it was one of his favorite amps and I can see why. Any significant length of cable will then attenuate the highs due to the cable capacitance. Die 6072a wird auch in hochwertigen... Tweed Up Your Amp! $2,699.99; Amps / Guitar Heads. Some amps of that era had 47K off the 4-ohm tap. This is not exposed to the user though (there's a hidden shared/split switch). Werten Sie Ihren Sound noch weiter auf, z.B. The amp block only supports Off and On and I figured people wouldn't know the fine details so a separate model seemed the easiest solution. source, "The IIC++ amp model is the same as the IIC+ with different tapers." The Recto2 models are based on the latest version. Lowering the Cathode Resistance reduces the crossover distortion as it keeps the amp in Class A operation longer but the tubes run hotter and don't last as long. It's probably an SLO100 power amp too but I'd have to check. Fachberater (m/w/d) Wein/Sekt/Spirituosen in unserer GenießerWelt Stellennummer 6273 an unserem Standort in Posthausen, veröffentlicht am 12.01.2021 ", "The clean channel uses the same built-in tube screamer as the other channels. Unlike the amp, however, you can actually adjust the tone controls and something will happen. Cathode followers have low output impedance but distort quite easily. ", "The Normal Gain input has a very low input impedance, about 44K in addition to cutting the gain in half. ", "We have three of them, a single and two duals. ", Archean: based on lead channel with Bright switch off, Archean Bright: based on lead channel with Bright switch on, "You have to crank the MV on the real amp. It's based on a 100W SLP with Arredondo mods and a few little voicing tweaks. Bienvenue sur download-film.club ! The other thing that helps the tone is the 220K plate resistor on the last triode. ", "The tone stack in the PAB models is a neutral tone stack which is the same as lifting the ground. They are the later models with the TX4 board (different LD2 Red). Shared: Master, Presence, Excursion, Boost switch, Lead channel: Gain, Volume, Bass, Middle, Treble, Shift EQ, Bright switch, Mode switch. With PAB active this lowers the lowcut frequency. Not sure why. Part of the reason the Blackface era are so sought after is because they distort. ", "That's how our reference amps work. The Dirty Shirley Mini is fueled by a pair of EL84 power tubes and includes a three position gain structure switch. ", "The very first models used a 5881, after that KT66 then EL34. Mesa knew this and the Lead 2 modes on the Triaxis all had the treble shift engaged by default. Shared: Presence and Balls, Channels 2 and 3: Gain, Level, Bass, Mid, Treble, Boost switch, Edge switch (changes tone stack). Wir vertreiben die... Mach' ihn wieder fit! But even with the snubber cap corrected it's still very dark and boomy which made me question as to whether there are other components that are incorrect. The Axe-Fx tone controls replicate this EQ but the controls have a greater range. ", "This particular amp exhibits a unique breakup characteristic due to its single-ended design and simple circuit. ", "Based on popular modified Marshall JCM800. It has cathode bypass caps giving it more gain. Screwed around a little with the tube bias points until it had the right balance of harmonics and called it a day. ", "Based on the original WRECKER 1 model from the Axe-Fx Ultra. That's low but it does affect subharmonics due to intermodulation. Bright and FAT voicings are available through separate inputs or through a switch, Volume, Treble, Bass, Middle, Fat switch, Tremolo, Reverb, Vibrato channel: Volume, Bass, Treble, Vibrato, Cab: Fender 1x15 (Jensen C15N, JBL D130, Eminence), Volume, Bass, Treble, Bright switch, Reverb, Tremolo, Volume, Bas, Mid, Treble, Presence, three-position Bright switch (center: off, top: clarity and sparkle, bottom: jangly highs), 1959SLP JUMP (based on 100W Marshall Super Lead Plexi 1959 reissue), 1987X JUMP (based on 50W Marshall 1987X reissue), 59 BASSGUY (based on '59 Fender Tweed Bassman, 5F6-A), 5F1 TWEED (based on Fender Tweed Champ, 5F1), 5F1 TWEED EC (based on Fender EC Vibro-Champ), 5F8 TWEED (based on Keith Urban's '59 high-powered Fender Tweed Twin, 5F8), 65 BASSGUY BASS (based on Dweezil Zappa's '65 blackface Fender Bassman, AB165), 6G12 CONCERT (based on '60 brownface Fender Concert, 6G12), 6G4 SUPER (based on '60 brownface Fender Super, 6G4), AC-20 12AX7 BASS (based on Morgan AC20 Deluxe), ANGLE SEVERE 1 (based on Engl Savage 120), BAND-COMMANDER (based on '68 silverface/blackface Fender Bandmaster, AB763), BLANKENSHIP LEEDS (based on Dweezil Zappa's Blankenship Leeds 21), BOGFISH BROWN (based on Bogner Fish preamp), BOUTIQUE 1 (based on Matchless Chieftain), BRIT 800 (based on 50W Marshall JCM 800 2204), BRIT 800 #34 (custom model, based on Marshall JCM 800 with Santiago #34 modifications), BRIT 800 MOD (custom model, based on modded Marshall JCM 800), BRIT AFS100 1 (based on Marshall AFD100SCE), BRIT JVM OD1 GREEN (based on Marshall JVM410H), BRIT PRE (based on Marshall JMP-1 preamp), BRIT SILVER (based on 100W Marshall 2555 Silver Jubilee), BUTTERY (custom model, loosely based on Budda Twinmaster), CA3+ CLEAN (based on Custom Audio Amplifiers 3+ SE preamp), CALI LEGGY (based on Carvin Legacy VL100), CAMERON CCV 1A (based on Cameron CCV-100), CAROL-ANN TRIPTIK CLASSIC (based on Carol-Ann Triptik), CAROL-ANN TUCANA CLEAN (based on Carol-Ann Tucana 3), CITRUS A30 CLEAN (based on Orange AD30HTC), CITRUS BASS 200 (based on Orange AD200B bass amp), CITRUS RV50 (based on Orange Rockerverb 50 MK II), CITRUS TERRIER (based on Orange Tiny Terror), CLASS-A 15W TB (based on Vox AC15 Top Boost), CLASS-A 30W (based on Vox AC30 Hand-Wired head), COMET CONCOURSE (based on Komet Concorde), DELUXE TWEED (based on Fender Tweed Deluxe, 5E3), DELUXE VERB NORMAL (based on Fender blackface Deluxe Reverb, AB763), DIRTY SHIRLEY (based on 40W Friedman Dirty Shirley), DIV/13 FT37 HIGH (based on Divided By 13 FTR 37), DOUBLE VERB NORMAL (based on '66 Fender blackface Twin Reverb), DOUBLE VERB SILVERFACE (based on '71 Fender silverface Twin Reverb), DOUBLE VERB VIBRATO (based on '66 Fender blackface Twin Reverb), DWEEZIL'S BASSGUY (based on Dweezil Zappa's modded '65 blackface Fender Bassman, AB165), EURO BLUE (based on Bogner Ecstasy 20th Anniversary), FAS EXPRESS (custom Trainwreck Express model), FAS HOT ROD (custom "modded Marshall" model), FAS RHYTHM (custom "Marshall+Mesa" model), FAS SKULL CRUSHER (custom "high gain" model), FOX ODS (based on Fuchs Overdrive Supreme 50), FRIEDMAN SMALL BOX (based on Friedman Smallbox), FRYETTE D60 LESS (based on Fryette Deliverance 60), GIBTONE SCOUT (based on Gibson GA17RVT Scout), HIPOWER BRILLIANT (based on Hiwatt DR103), JMPRE-1 OD1 (based on Marshall JMP-1 preamp), JS410 CRUNCH ORANGE (based on Marshall JVM410HJS), JAZZ 120 (based on Roland Jazz Chorus 120), LEGATO 100 (based on Steve Vai's Carvin Legacy VL100), NUCLEAR-TONE (based on Swart Atomic Space Tone), ODS-100 CLEAN (based on Dumble OD Special), PVH 6160 BLOCK (based on Peavey "Block Letter" EVH 5150), PVH 6160+ CLEAN (based on Peavey 6505+ / EVH 5150-II), PVH 6160+ LEAD (based on Peavey 6505+ / EVH 5150-II), PLEXI 100W 1970 (based on Marshall Plexi), PORTA-BASS (based on Ampeg Portaflex bass amp), PRINCE TONE 5F2 (based on Fender Tweed Princeton, 5F2-A), PRINCE TONE AA964 (based on Fender silverface Princeton without reverb, AA964), PRINCE TONE REVERB (based on '66 Fender blackface Princeton with reverb, AA964), RECTO1 ORANGE MODERN (based on Mesa's two-channel Dual Rectifier), RECTO2 ORANGE MODERN (based on Mesa's three-channel Dual Rectifier), SHIVER CLEAN (based on Bogner Shiva 20th Anniversary), SOLO 100 CLEAN (based on Soldano SLO-100), SOLO 88 CLEAN (based on Soldano X88R preamp), SOLO 99 CLEAN (based on Soldano/Caswell X99 preamp), SPAWN Q-ROD OD1-1 (based on Splawn Quickrod), SUPER VERB NORMAL (based on '64 Fender Super Reverb, AB763), TEXAS STAR CLEAN (based on Mesa Lone Star Classic), THORDENDAL MODERN (based on Mesa Dual Rectifier), TREMOLO LUX (based on blackface Fender Tremolux, AA763), TRIPLE CREST 2 (based on Mesa/Boogie Triple Crown TC-100), USA BASS 400 1 (based on Mesa/Boogie Bass 400 bass amp), USA IIC+ (based on Mesa/Boogie Mark IIC+ without GEQ), USA IIC++ (legacy model based on a Mesa Mark IIC+), USA JP IIC+ Green (based on Mesa/Boogie JP-2C John Petrucci signature model), USA PRE CLEAN (based on Mesa/Boogie TriAxis preamp), USA SUB BLUES (based on Mesa/Boogie Subway Blues), VIBRA-KING (based on custom Fender Vibro-King), VIBRATO LUX (based on '62/'63 brownface Fender Vibrolux, 6G11), VIBRATO VERB AA (based on '64 blackface Fender Vibroverb, AA763), VIBRATO VERB AB (based on Fender Vibroverb, AB763), VIBRATO VERB CUSTOM (based on Fender Vibroverb Custom Reissue), WRECKER EXPRESS (based on Trainwreck Express), WRECKER LIVERPOOL (based on Trainwreck Liverpool), WRECKER LIVERPOOL BRIGHT (based on Trainwreck Liverpool), WRECKER ROCKET (based on Trainwreck Rocket), Yek's Guide to the Fractal Audio Amplifier Models, Estimated total price of all modeled amps, https://wiki.fractalaudio.com/wiki/index.php?title=Amplifier_models_list&oldid=68753, (about the Plexi model in the Standard/Ultra): "One of the first mods people make to real 'Plexi' Marshalls is to "clip the bright cap". Just like with the actual amp. This particular amp is known for sounding “big” despite being relatively low power. The JB100 model is basically an OD2 with the entire OD circuit on the board with predefined filters made up of quality components without adjustment through fragile trimmers. Lower values are looser. ", BE C45: based on Mark Day's BE-100, C45 switch engaged, BE V1: based on Mark Day's BE-100, voice: right position (less mids), BE V2: based on Mark Day's BE-100, voice: left position (more mids), HBE 2018 C45: based on 2018 BE-100, HBE mode, C45 switch engaged, HBE V1: based on Mark Day's BE-100, HBE mode, voice: right position (less mids), HBE V2: based on Mark Day's BE-100, HBE mode, voice: left position (more mids), "The old model is an original, hand-built "Marsha". As you keep raising the MV the source resistance then starts to decrease as you get above 50% of the pot value. They are NOT clean amps by any stretch. Note that the Tone control is mapped to the Bass control in Ideal mode as the Tone switch is essentially a bass cut control. Most "Class-A" amps use a shared cathode bias but the Chieftain uses separate cathode bias networks which results in less bias shift so there's less fizz. The information also partly applies to the previous generation of modelers (Axe-Fx II series and AX8). This means the amps are biased somewhat cold to begin with and shift to very cold as soon as overdriven. This is reflected in the high Dyn Pres value. ", "The two channels have preset tone stacks. Master Volume is labeled Drive. This causes lots of crossover distortion (papery buzz). It prevents blocking distortion but there are better ways to do it IMO. An extra highpass filter is present due to the loop send stage. ", "Just finished matching this modded 65 Bassman that Dweezil sent me. There are even some amps that have circuits to intentionally generate crossover distortion. ", "The 5150 models are absolutely identical to our reference amp. One of them has a different value bright cap than the one with the same Gain pot. Das umfangreiche Sortiment versorgt Sie mit der passenden Röhre zu angemessenen Preisen, die Ihren Sound definieren werden. ", Lead channel, Voicing: Harmonics, Pull Bright engaged, Lead channel, Voicing: Mid Gain, Pull Bright engaged, Lead channel, Voicing: Harmonics, Pull Bright off, Lead channel, Voicing: Mid Gain, Pull Bright off, "The MK V is basically a compendium of previous Mesa amps. ", "The model does not have the hi-cut control. ", "Our reference amp is a 20th anniversary and N is Bright Off, B1 is 150 pF and B2 is 1000 pF for both channels. Re: Friedman Dirty Shirley Mini VS Pink Taco I shouldn't say the mini DS would be a waste of money, especially if it's a home practice rig. Die JAN 12AX7WA - PHILIPS / SYLVANIA ist eine äußerst zuverlässige U.S. Militärausführung mit langen Anoden. ", "The model is extremely accurate and is based on a 1966 Blackface Twin Reverb. ", Clean: based on HRM circuit, Clean channel, Ford: based on schematics of Robben Ford's #102 Dumble, Overdrive channel, with Pre Amp Boost (PAB) disengaged, Ford Mid-Boost: idem, Overdrive channel, with PAB engaged and Mid switch engaged, Ford PAB: idem, Overdrive channel, with PAB engaged and Mid switch disengaged, HRM: based on HRM circuit, Overdrive channel, Mid switch disengaged, HRM Mid: based on HRM circuit, Overdrive channel, Mid switch engaged, "The ODS100 has two drive controls, one is right at the input, the other is in the lead boost section. ", "A 5150's presence control has almost no effect from 0 to 7. This means the amps are biased somewhat cold to begin with and shift to very cold as soon as overdriven. The "Warren Haynes" mod is a popular mod to reduce the brightness. Tons of blocking distortion in the PI. Die perfekte Vorstufen-Röhre! It's the same idea as a bright cap on your guitar's volume knob. Finally I traced the entire circuit and our particular amp is a split cathode. ", "The Brit 800 #34 has a ton of treble boost and will squeal with certain guitars and/or certain IRs and/or certain types of amplification. TAD bietet Ihnen eine Vielzahl an Markenröhren verschiedener Hersteller an, die für ihre herausragende Tonqualität bekannt sind. Put all knobs at noon if you want authentic. It's really just a bunch of EQ presets and it interpolates between them as you increase the value. I just used a standard Marshall tone stack whereas the JMP-1 uses a standard Marshall tone stack but the pots are replaced with fixed resistors but those values don't necessarily correspond to the pots at noon. There is a Normal and Bright channel. Turns out the snubber cap is the wrong value. Shared: Master, Presence, Excursion, Boost switch, Cab: Bogner 1x12 or 2x12 (Classic 80, V30), Gain, Bass, Middle, Treble, Master, Presence, Bright switch (Normal channel only), Depth (with Depth mod), Gain, Bass, Middle, Treble, Volume, Bright switch (Clean and Rhythm channels), Gain, Bass, Middle, Treble, Volume, Bright switch, Resonance, Presence, Bass, Middle, Treble, Master, Gain, Presence, Bass, Middle, Treble, Volume, Gain, Mode, Bass, Middle, Treble, Gain, Power (controls Power Scaling), Drive (acts as Master with Power at 10), Volume, Bass, Middle (Vibrato channel only), Treble, Bright switch, Reverb, Vibrato, Drive, Gain, Treble, Mid, Bass, Presence, Master, Voicing, Vibrato channel: Volume, Bright switch, Treble, Bass, Tremolo controls, Channel 2 (LO Gain): Normal or Tight Mode, Gain, Treble, Mid, Bass, Presence, Reverb (rear panel), Master, attenuator, Channel 3 (HI Gain): Normal or Tight Mode, Gain, Treble, Mid, Bass, Presence, Reverb (rear panel), Master, attenuator, Treble, Mid, Bass, Gain, Master, Lead Gain, Pull Bright, Bass, Middle, Treble, Pull Bright, Bass/Mid/Treble Shift, 7-band GEQ, Gain, Lead Drive, Treble, Bass, Mid, Presence, Master. There's a certain swirl to the clean tone that is always present in his amps. The Friedman amps Twin Sister is a vintage-tinged, high-gain head packing two channels complete with independent dials and unique features. I like to do a gentle V-curve. Hier gibt es alles, was das Röhren-Herz leuchten lässt: premium-selektierte TAD Röhren, Blackplate Röhren, unsere beliebten Röhrensets für nahezu jeden Verstärker, sowie diverse andere Markenröhren aus unserem... Große Töne spucken? Dirty Shirley DS-40 Dirty Shirley Mini DR504, SA112 und SA412 DSL1 CR, HR DSL1 JCM2000 DSL5c DSL20HR und DSL20CR ... Rockmaster 40W Royalist MKII Ruby Riot Runt 20 Runt 50 Savage 120 E610 ... Friedman Fuchs Hammond Hiwatt Hughes & Kettner Ibanez Jackson Ampworks Jet … The old version (new model) has a 2.2 nF cap on the cathode follower while the newer version has 4.7 nF. Both techniques being expensive. It's MUCH darker than Mark's newer BE/HBE. ", "The Rocket has a different preamp (than the Express) with the tone stack before the PI. A mu-follower doesn't compress and distort like a cathode follower does. This happens when the pots don't have a flat spot and/or the pot is rotated within the mounting hole. The OD2 was never designed to be put side by side in a Dumble clone fest in some guys living room with everyone playing their best Ford licks, it was designed to be used on stage for guys who played in cover/blues/wedding/classic rock bands. A JTM45 with a bright cap is similar to a Superlead.